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Marianne Hirsch
Marianne Hirsch (born September 23, 1949) is the William Peterfield Trent Professor of English and Comparative Literature at Columbia University and Professor in the Institute for Research on Women, Gender, and Sexuality.〔(Department of English & Comparative Literature | Columbia University )〕
==Biography==
Born in Timișoara, Romania, where her parents fled Czernowitz,〔Marianne Hirsch, "Projected Memory: Holocaust Photographs in Personal and Public Fantasy", in David Bartholomae, Tony Petrosky (eds.), ''Ways of Reading Words and Images'', p. 260. Boston: Macmillan, 2003. ISBN 978-031-240-381-2〕 Hirsch immigrated to the United States in 1962.〔("About the Authors" | ''Ghosts of Home'' )〕 She completed her BA/MA and Ph.D. degrees at Brown University before becoming a professor at Dartmouth College, where she taught for thirty years.〔("Marianne Hirsch" | Dartmouth.edu )〕 She was also one of the founders of the Women's Studies Program at Dartmouth, and served as Chair of Comparative Literature for a number of years. Hirsch has been the recipient of fellowships from the Guggenheim Foundation,〔("Town's forgotten history revived by research of Guggenheim Fellowship winner Marianne Hirsch" | Dartmouth News )〕 the National Humanities Center,〔("Fellows of the Center" | National Humanities Center )〕 the ACLS,〔("Marianne Hirsch" | ACLS )〕 the Bellagio and Bogliasco Foundations, the Mary Ingraham Bunting Institute, and the Stellenbosch Institute for Advanced Studies, among others. She is past president of the Modern Language Association,〔("From the President" | MLA )〕 and has served on the MLA Executive Council, the ACLA Advisory Board, the Executive Board of the Society for the Study of Narrative Literature, and the Board of Supervisors of The English Institute. She is also on the advisory boards of Memory Studies and Contemporary Women's Writing.〔("Advisory Board" | Oxford Journals, ''Contemporary Women's Writing'' )〕 A founder of Columbia’s Center for the Study of Social Difference and its global initiative “Women Creating Change,” much of Hirsch's work concerns feminist theory, memory studies, and photography.
In 1992 Hirsch introduced the term "postmemory," a concept that has subsequently been cited in hundreds of books and articles.〔("Family Pictures: Maus, Mourning, and Post-Memory" | ''Discourse'' )〕 The term was originally used primarily to refer to the relationship between the children of Holocaust survivors and the memories of their parents, but has since been expanded beyond these familial and generational restrictions to describe "the relationship that later generations or distant contemporary witnesses bear to the personal, collective, and cultural trauma of others—to experiences they 'remember' or know only by means of stories, images, and behaviors."〔(Presidential Address 2014: Connective Histories in Vulnerable Times | PMLA )〕
Hirsch's recent books include ''The Generation of Postmemory: Writing and Visual Culture After the Holocaust'' (Columbia University Press, 2012), ''Ghosts of Home: The Afterlife of Czernowitz in Jewish Memory,'' co-authored with Leo Spitzer (University of California Press, 2010), and ''Family Frames: Photography, Narrative, and Postmemory'' (1997). Edited and co-edited collections include ''Rites of Return: Diaspora, Poetics and the Politics of Memory,'' co-edited with Nancy K. Miller (Columbia University Press, 2011), ''Grace Paley Writing the World'' (co-ed. 2009), ''Teaching the Representation of the Holocaust'' (co-ed. 2004), ''Time and the Literary'' (co-ed. 2002), and ''The Familial Gaze'' (ed. 1999); she also co-edited the Summer 2012 issue of ''é-misferica'' on “The Subject of Archives” with Diana Taylor and a special issue of ''Signs'' on "Gender and Cultural Memory" (co-ed. 2002).
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